Music, Motion, Mind and Machines
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Agent Red and Crash Alchemy present a creative and fantastic experience – the 4th annual South by Southwest Street CRASH, recently named “Best Street Art of SXSW” by Kit O’Connell What is a CRASH? It’s an improvised, surprise flash mob-style performance with very real people seeming more and more surreal until characters stories explode into [...]
+ Read more…April 19-21, UT Austin, I will be presenting a bioperformance integrated in 3D immersive environment. It features a new biotech model (steampunk cybernetic design), integrating Heart rate (HR), Electromyography (EMG) and Fine motor skills control. It also has a Kinect that tracks body movements. All these control will be manipulating the visuals and sounds in [...]
+ Read more…NOLA is an interactive piece featuring music, video projection and live dancing. Meg Seidel, our videographer, was living in New Orleans after Hurricane Katrina hit the city. Fascinated by the structures and belongings abandoned by residents after the hurricane, she went on a mission to explore these corroded buildings and expose the lives of the [...]
+ Read more…I was invited to direct Peugeot’s show at South America’s largest automobile trade show in São Paulo, Brazil in the fall of 2012. The show, with music composed by Yago de Quay, featured several components: 1) Four performers playing the car as a percussive instrument, with four microphones placed on different parts of the car; [...]
+ Read more…Check this this out, the official UTAustin-Portugal Newsletter is talking about the performance we did in São Paulo, Brasil! Full article here: http://utaustinportugal.org/newsletters/CoLab-newsletter-2012.12.pdf Comments commentsPowered by Facebook Comments
+ Read more…After reading a magical book, our heroine travels to a fantastical world where she meets the hero. Initially clumsy and brute, he becomes tender and loving after they dance together. In the end she decides to dismiss illusionary hero and return to reality. The dancers are the instruments. The piece uses contact microfones placed on [...]
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